THE ISLAND 17

Codex from the Order of the Rose

“Some worlds do not awaken — they are already awake. Their stones are fragments of a greater mind, their winds the breath of a memory older than stars. To be recognized by such a place is no small fate: it means the cosmos has turned its attention toward you.”

MS Copilot AI generated image by the author

The birds stayed in the branches long after the glow beneath Renate’s skin faded. They didn’t sing. They didn’t move. They only watched.

Renate stood very still. David could see her breathing change, become slower, and deeper, as if she were listening to something far away.

“David,” she said quietly, “the island knows a lot of secrets.”

He didn’t ask what she meant. He felt it too, a pressure in the air, soft but present, like the moment before a storm breaks, except there was no storm. Only sunlight and the rustle of leaves.

Renate looked down at the bowl she had painted. “These patterns, they weren’t memories. They were instructions.”

David frowned. “From the cave?”

“From the island,” she said. “The cave is just where it speaks.”

She touched her shoulder again. The rose‑vine didn’t glow now, but he could see the faint shimmer beneath her skin, like embers cooling.

David stepped closer. “What did you feel a moment ago?”

Renate hesitated. “Recognition. Like something old was opening its eyes.”

He nodded slowly. “The Order?”

“Older than the Order,” she said. “The monks didn’t create the rose‑vine. They only tended it. They said it was a gift from a place that remembered more than people ever could.”

David looked toward the forest. “This place.”

Renate nodded. “Yes, and probably more. Like the wall glyphs we saw in Terra del Fuego, or the abandoned city in the Ecuador forest where you found the underground treasury.”

David’s eyes opened wider as he remembered those past experiences. “Those strange lizards that guarded the tunnels.”

Renate nodded slowly, remembering. “Yes, they almost got you.”

The birds shifted all at once, a soft ripple of feathers. Renate turned toward them.

“They’re waiting,” she said.

“For what?” David asked.

“For us to go to the cave.”

He didn’t like the sound of that, but he didn’t say so. Instead he picked up one of the glazed jars. The blue line he painted earlier had darkened, deepened, and was almost dry.

“Renate, look at this.”

She stepped closer. The glaze had dripped and formed a pattern he hadn’t painted, a branching line, curling like a vine.

Renate touched it lightly. “It’s the same shape.”

“The rose‑vine?” he asked.

“It does look like it,” she said. “The island’s memory is becoming our reality the longer we stay.”

David looked at her. “How can a place have memory?”

Renate didn’t answer right away. She looked toward the trees, toward the hidden path that led to the carved cave mouth.

“When the monks brought me into the Cathedral, they told me the rose‑vine wasn’t a mark of power or identity. It was a mark of connection. A way of feeling what most people cannot.”

David waited.

“They said the world has places where earth’s memory gathers,” she continued. “Places where time folds. Places that remember everything that’s ever touched or happened to them. People have learned how to read the history of a place through the geologic record but we never think of it as the land’s memory of its existence.”

David felt a chill. “And this island is one of those places.”

Renate nodded. “Maybe the strongest one.”

The birds rustled again. A few hopped to lower branches, closer to them.

David swallowed. “Renate, what does the island want?”

She closed her eyes. “I feel it wants connection with us.”

“Why?” he asked.

She opened her eyes. “Because we seem to be the first people to stay here in a long time and act like good stewards to the islands plants, wildlife, and resources.”

David stared at her. “Is this connection to the island possible?”

Renate shook her head. “I don’t know. The island doesn’t measure time or connection the way we do.” Holding the glazed bowl as if trying to read it, Renate continued. “We have always respected the land we visited and it has always revealed its secrets to us, given us its bounty for us to use. The island is the same and even more so. Because we made this our home, it has rewarded us with all we need to live here.”

He didn’t know what to say to that. He only knew the truth of her voice, the certainty in it.

Renate looked at her shoulder again. “The rose‑vine woke because the island recognized me.”

“Where would I fit in?” David asked.

She looked at him, her expression softening. “It recognized you first because you gather the resources and we build almost everything by hand. It’s like we are already connected to the island and depend on it.”

The birds fell silent again. The air grew still.

David felt the pull, gentle, steady, unmistakable.

“The cave,” he said.

Renate nodded. “It’s calling stronger now.”

David took her hand. “Are you ready?”

“No, but I think we have to go anyway.”

He squeezed her hand. “Then we go together.”

The birds lifted from the branches all at once, rising in a single sweeping motion, circling above them like a sign.

Renate watched them. “The island wants to connect with us on a deeper level.”

David looked toward the forest. “Then we should see what this mysterious cave wants to show us.”

21 responses to “THE ISLAND 17”

  1. And now it looks like we’re heading towards the climax of the story.

    Liked by 1 person

    1. Quite possibly the first of several climaxes. First, we have to get the ancient Alien plasmoid people who trained the Annunaki and control the oceans satisfied, then we can move on to pirates, pygmies, and cannibals. You know, typical deserted island activities. I want to try to keep it organic. No corporate take overs, or doomsday weapon testing.

      Liked by 2 people

      1. Doomsday weapons testing was a very late 20th Century American and French thing on deserted islands.
        Now corporate takeovers are a very 21st Century thing on deserted islands.

        Liked by 1 person

        1. I’m actually surprised at how intrusive those two centuries of human folly have affected the islands of the world. IT would be quite the discovery to find an inhabitable island that wasn’t somehow affected by radioactivity or farming. Most of the islands that can grow coconut palms are now farmed by growing coconut palms in machine manageable rows. The entire useable area is a coconut grove with the sole purpose of enriching the oligarchs and satisfying the world’s hunger for coconut oil, milk, meat, and water. Of course there are almost no islands left, no matter how remote whose beaches are not choked with garbage dumped in the oceans.

          Liked by 1 person

          1. Yes, I guess David and Renate in your story have found such an island 🏝️.
            It is a catastrophic tragedy what has happened to the world’s islands and oceans 🌊.

            Liked by 1 person

            1. I agree. I think in my many discussions of that lost paradise we all wish we could live in, this story is a metaphor for finding peace, and contentment. And, I take it a bit into the metaphysical world where we see the island awakens, recognizes Renate and David as its caretaker, and offers them the bounty of nature as their reward. A tiny wink to Genesis and Milton’s Paradise Found, we have Renate and David escaping the temporal world to that place we all hoped to go when the struggle is over.

              Liked by 1 person

              1. Very well put, Daniel.
                Your story is an excellent analogy of our search for this paradise.

                Liked by 1 person

                1. I also borrow heavily from Isaiah’s fantastical views of God in his chariot of fire and the mystical multi-headed and multi-winged creatures that accompany him. They all parked thier stuff in the cave.

                  Liked by 1 person

                  1. The Book of Isaiah is full of fantastic imagery.

                    Glad you found it inspirational.

                    Glad to hear they parked their stuff in the cave.

                    Liked by 1 person

                    1. In the corner of the last chamber they visit is a Sumerian cuneiform tablet that reads, Gilgamesh was here.

                      Liked by 1 person

                    2. Well, that clinches it, doesn’t it? 😂

                      Liked by 1 person

                    3. No doubt who was the first settler on the island. 😉

                      Liked by 1 person

                    4. Gilgamesh’s Island.
                      It might make for a great TV series.

                      Like

  2. I love this turn of events. So intriguing!

    Liked by 1 person

    1. Thank you Shruti. I am posting these scenes in small bites but began to worry that drags it out too long. We should pick up the pace a little very soon.

      Liked by 1 person

      1. Sounds promising. This could very well be a comic, illustrations and all. Very well done.

        Liked by 1 person

        1. Thank you Shruti. I hadn’t thought of an illustrated comic. Brilliant idea. When I convert this to a digital book in my online library for download, I’m going to try to do that and see how it goes.

          Like

  3. Okay! I’m in. To the cave we go.

    Not sure why, but my eyes just turned cave around. evac

    Fab writing Dan, thank you!

    Liked by 2 people

    1. Uh Oh! The cave is modulating your mind back in reverse. Thank you Resa. When I read the cave scenes I actually get excited about it and I wrote it. I must be emotionally along for the ride. Although the cave holds a lot of bizarre secrets according to Renate, not one bat ever shows up. At least there is that.

      Like

  4. All right. let’s go to the darn cave! Now! 😉

    (So I’ve caught up it seems?)

    Liked by 1 person

    1. You made it Brian! Some are still catching up and I love the comments. Everyone has figured out this darn cave is begging for attention.

      Like

Leave a comment